我们被抛入世界之后，大多数时候过着一种受到社会和文 化的影响，没有经过思考，被外界的期望和规范所束缚。突然有 一个时刻，自我意识的曙光开始闪耀，独行者开始领悟，自由之 翼并非外在寄予，而是内心的沉淀。于是，思想超越了束缚的枷 锁，开始航向内在的密林寻找本真，萌发出自我的枝芽，寻找属 于自我的形状，拥有自由的意志。 作品主题灵感来源于深夜时每个人独处的景象，作品强调 自我尚未完全成形的状态，隐晦地表达探索与成长的过程。在形 式上采用了平面壁挂和立体浮雕的结合，通过白色表现空灵的精 神世界。人物形态意味着不完整的自我，植物形态呈现出自我在 精神世界中的互动以及残缺和抚慰。

After being thrown into the world, most of the time we live under the influence of society and culture, without much reflection, bound by external expectations and norms. Then suddenly, there comes a moment when the dawn of self-awareness begins to shine—the solitary wanderer starts to realize that the wings of freedom are not granted from the outside, but cultivated from within. Thus, thought breaks free from its shackles and sets sail into the inner wilderness in search of authenticity, sprouting the buds of selfhood, seeking its own form, and embracing free will.

The theme of this work draws inspiration from the quiet solitude of late-night moments, emphasizing the incomplete formation of the self and subtly expressing the process of exploration and growth. In form, it combines flat wall hangings with three-dimensional reliefs, using white to convey an ethereal spiritual world. The fragmented human figures represent the unfinished self, while the plant-like forms depict the self’s interaction within the inner realm—both wounded and healing.